With a heavy heart, but out of concern for safety and well-being, I must announce the decision to cancel the Summer Institute 2020 program. Please refer to the Updates on COVID-19 for the Campus Community page for information regarding how Wells College is dealing with this on-going situation.
Please be in touch with any questions. Wishing health and safety to you and yours, Leah Mackin
We are pleased to announce Summer Institute 2020! Join us for our annual program offering week-long intensive courses in letterpress printing, hand bookbinding, artists’ books, lettering and paper arts taught by some of the foremost book artists working today.
Week 1 — July 12 – 18, 2020 • Writing & Setting the Times – Tia Blassingame and Tonya Foster • All New Alphabets – Clare Jones • Macrostructures of Punctuation: Bookbinding for the Self-publisher – Woody Leslie • Reduction Introduction: Reduction Woodcuts on the Vandercook Press – Val Lucas • Poured and Shaped Paper: Large Sheet Formation – Heather Peters • Books in a Box – Jenna Rodriguez
Week 2 — July 19 – 25, 2020 • Typecasting and Monotype Composition – Michael & Winifred Bixler / The Bixler Press & Letterfoundry • Vegetable Papyrus: making sheets and ornamental sculpted objects – Tracey Cockrell • Single Sheet Books: Imposing, Printing, Editioning – Amanda D’Amico • Leather Binding Fundamentals – Karen Hanmer • Light, Paper, Print: Experimental Photographs from the Natural World – Nick Marshall • Vandercook Week: Maintenance and Presswork – Paul Moxon
Course Descriptions and Faculty Information can be found here. Register online here.
On October 17, 2019, the Wells College Book Arts Center hosted the 48th Susan Garretson Swartzburg ’60 Memorial Book Arts Lecture. Peter D. Verheyen spoke about his career as a bookbinder, conservator and academic librarian. Along with examples of his work, he discussed the materials and techniques he uses to craft his bindings, with selections of his bindings for attendees to explore. He also discussed his 25 years of building online book arts communities, and a recent project which ties together the many threads of his long and accomplished career.
Matter & Spirit 2019 A Celebration of Poetry and Printing at Wells College Friday, April 26, 2019, 1-4PM Free & Open to the Public Light refreshments provided
• 1:00-2:00 PM Readings in Sommer Center • 1:00 PM – Book release and reading from the Advanced Poetry Writing class’s newly-published chapbook • 1:30 PM - Broadside release and reading of the poem “Traveling with Spring” by Donn Vickers. Broadside produced by Wells College students who received the inaugural Wells Book Arts Broadside Award
• 2:00-4:00PM Open House in Morgan Hall – Open printing workshop with artist-in-residence Katherine Taylor from Nova Scotia. – Papermaking demonstrations – Wells College Press Pop-Up Shop with posters, books, cards and more!
Wells College Press is very pleased to announce that the winner of our 2019 Chapbook Contest is James D’Agostinofor his manuscript, Play Attention. His prize includes 10 copies of the letterpress-printed chapbook. He will also read at Wells College in Aurora, NY and receive a $1,000 honorarium plus room and board. In the tradition of the Wells College Press, his chapbook will be crafted obsessively, with hand-set title pages and hand-sewn bindings. It will be published in an edition of 150 signed and numbered copies.
James D’Agostino is the author of Nude With Anything (New Issues Press), Slur Oeuvre, which won the Diagram/New Michigan Prize, and Weathermanic, winner of the CutBank Chapbook Contest. His poems have appeared in Conduit, Forklift Ohio, TriQuarterly, Denver Quarterly, Rattle (Poets Respond), Third Coast, and elsewhere. He lives in Iowa City, Iowa with his wife, the poet and book artist, Karen Carcia.
This year’s finalists are: The Clearing by Lisa Hiton granulated sugar poured slow from a bucket onto snow by Rusty Morrison Hart & Sword by Christopher Nelson Litany of Flights by Laura Hogan The Relentless Pursuit of Good Enough by James Ellenberger
This year’s semifinialists are: Home and Other Centos by Trevor Ketner Rain Shadow by William Cordeiro Red Motel by Christopher Nelson Siberian by Jill Osier Speyerby Lisa Hiton
This year also marks the second Bennett Prize, given to a single outstanding poem from among the finalist manuscripts. The winner is “Hallucination with Four Fathers” by Christopher Nelson, which will appear in a limited-edition broadside in Fall 2019. This prize is named in honor of Bruce Bennett, Professor Emeritus of English and former Director of the Book Arts Center at Wells College.
The readers and final judge were overwhelmed by the beautiful range and ambition of submissions this year, as well as the sheer volume. Ultimately, James D’Agostino’s Play Attention won us over with its loving attention to the surface of language, its efforts at not just naming the world but experiencing it through language anew. One reader responded by praising its “incredible sharpness” and “the attention not just to sound play between words but to the connotations of the sounds of words themselves.” The contest judge, Dan Rosenberg, agreed, noting that within the gorgeous play of language in this manuscript he found “love and despair filtered through a palpable sky.” We are thrilled to be publishing this outstanding collection of poems.
Amos Paul Kennedy Jr. will be in residence on campus conducting a week-long series of events co-sponsored by The Wells Book Arts Center, Office of Diversity and Inclusion, the String Room Gallery and the Wells College Scholar-In-Residence program.
Visual Noise features poster prints by acclaimed letterpress printer and book artist Amos Paul Kennedy, Jr. Renowned for his bold use of typography and renegade letterpress technique, Kennedy has built a forceful, witty, and subversive creative practice centered on calling attention to past and present experiences of race, labor, art, and printing. While his work is widely exhibited and held in collections, he ensures access to his posters by selling them at affordable prices. Visual Noise will culminate with a “Cash & Carry” event, with all posters available for purchase.
All are welcome to join Kennedy at the following public events during his residency:
Open Printing Drop-In Session: April 15, 3:30-6:00 p.m. — Morgan Hall
Open Printing Drop-In Session: April 16, 3:30-6:00 p.m. — Morgan Hall
Tea Time with Amos: April 17, 3:00 PM — Zabriskie Hall, Room 306
Documentary Film Screening, Proceed and Be Bold: April 17, 7:00 p.m. — Stratton Hall Room 209
Artist Talk, Talkin’ Loud and Sayin’ Nothin‘: April 18, 6:00 p.m. — Stratton 209
Closing Reception and Cash & Carry, Visual Noise: April 19, 6:30—8:00 p.m. — String Room Gallery
Valentine card letterpress printing at Wells Book Arts Center is happening Friday Feb 8 2019 from 11am til 3pm. The cards shown are from previous years. This year will be all new designs and questionable puns. Print a card or two for free. We even have a surplus sale of last year’s cards for $1 each! Stop by and print!
The Wells College Visiting Writers Series is pleased to welcome poet Kimiko Hahn for a public reading in celebration of her new chapbook, “(Write It!),” published by Wells College Press and now avaiable for sale! The reading will take place at 6:30 p.m. on Thursday, Feb. 7, 2019 in the Faculty Parlors lounge in the College’s Main Building. Admission is free and all are welcome.
Hahn will also conduct a master class, “The Sensationally Short Poem,” on Friday, Feb. 8 at 12:30 p.m., also in Main Building’s Faculty Parlors. This event is also free and open to the public.
Kimiko Hahn is the author of nine books of poems, including: “Brain Fever” (W.W. Norton, 2014) and “Toxic Flora” (WWN, 2010), both collections prompted by science; “The Narrow Road to the Interior” (WWN, 2006), a collection that takes its title from Basho’s famous poetic journal; “The Unbearable Heart” (Kaya, 1996), which received an American Book Award; and “Earshot” (Hanging Loose Press, 1992), which was awarded the Theodore Roethke Memorial Poetry Prize and an Association of Asian American Studies Literature Award. A new collection, “Foreign Bodies,” is forthcoming in 2020.
Hahn takes pleasure in the challenges of collaboration, most recently with Lauren Henkin’s photographic series. Her honors include a Guggenheim Fellowship, PEN/Voelcker Award, Shelley Memorial Prize and a Lila Wallace-Reader’s Digest Writers’ Award, as well as fellowships from the National Endowment for the Arts.
Hahn currently serves as president of the board at the Poetry Society of America and is a distinguished professor in the MFA program in creative writing and literary translation at Queens College, the City University of New York. Read more about her at kimikohahn.com.
About the Visiting Writers Series The Visiting Writers series at Wells College presents several events each semester featuring authors who have distinguished themselves in poetry, fiction or nonfiction. These writers not only give public readings of their work—they also conduct writing workshops, participate in classes and discussions, and often hold individual conferences with interested student writers. The Visiting Writers Series is made possible by the New York State Council on the Arts with the support of Gov. Andrew M. Cuomo and the New York State Legislature. See more at http://wells.edu/visiting-writers.
Annie Lighthart‘s Lantern won the 2017 Wells College Press Chapbook Contest. The first edition was printed entirely with metal type from the Bixler Letterfoundry at the Bixler Press and at Wells College Press. Includes a fontispiece wood engraving by Gaylord Schanilec. The first edition of 150 copies has sold out (an impressive feat for a “luxury” edition of poetry at $30 per copy) . The second edition is printed offset in an edition of 500 copies by Gaspereau Press, Nova Scotia for Wells College Press. Gaspereau Press is well-known in the Canadian literary publishing world and internationally as a trade publisher with fine press inclinations. We are very happy to make this affordable trade edition available for those who missed the first edition.
From editor Dan Rosenberg’s Foreword to Lantern: “…what unites and distinguishes this work is a quiet wonder that poetry, real poetry happens: ‘And the human language, / I feel it everywhere in me, easy.’ That sentence goes on, insisting that the world can be met with awe and reverence. And with this book in hand, it is right.”