The Wells Book Arts Center is pleased to accept applications for the eleventh Victor Hammer Fellowship in the Book Arts.
The fellowship is named for Victor Hammer, an Austrian printer, book designer, typographer and portrait artist, who fled Nazi Europe to come to Wells College in 1939. The Hammer Fellowship is a two-year book artist-in-residence program that was founded in 1998 designed to help emerging book artists establish their name in the field. The Hammer Fellow’s expertise and various activities enhance the educational mission of the Book Arts Center and Wells College and increase awareness of the book arts as a field of study and practice both at Wells and in the community at large.
The Book Arts Center teaches introductory courses in letterpress printing, hand bookbinding, calligraphy, and various upper-level courses in binding and printing. In addition to courses taught in the academic year, the Book Arts Center offers two week-long series of workshops in the summer at Wells College.
The successful candidate for the Victor Hammer Fellowship in the Book Arts will hold the position for two years, fall 2018 through summer 2020. The position includes teaching two courses each semester, one of which will be Intro to Letterpress or Intro to Bookbinding. Duties include production of work for Wells College Press, maintenance of Printing, Bindery and Papermaking studios and assisting the director. The fellowship includes an apprenticeship at the Press and Letterfoundry of Michael and Winifred Bixler in nearby Skaneateles and producing an independent body of work.
Applicants must have extensive experience in binding and letterpress printing, experience teaching, and a MFA in Book Arts or a certificate in a related field. Applications should include a CV, 15 digital images of the candidate’s own work, 7 digital images of the candidate’s students’ work, a statement of teaching philosophy, and three letters of recommendation. Since the Fellow will assist in the design and production of poetry broadsides for the Creative Writing Program, as well as announcement posters for book arts events, images of any such work would be helpful to the search committee. Applications are due by March 30, 2018, and are to be submitted electronically via the Wells College employment page, http://www.wells.edu/employment . Wells College actively seeks to diversify faculty and encourages candidates to apply who can further expand the program through multicultural approaches and is an equal opportunity employer. No phone calls please.
Questions may be addressed to bookartscenter [at] wells.edu
Time to start thinking about basking in the warm sun and making things with your hands. July 15–28, 2018…come to Aurora, NY!
Each July, Wells Book Arts Center hosts the Wells Book Arts Summer Institute. This year is bigger than ever with 6 courses to choose from for each of the 2 weeks. Join our all-star line-up of instructors and learn new techniques or hone existing skills in a variety or paper, printing, and textual arts.
Each week is filled with intensive, hands-on instruction and practice, but there is also time to relax and enjoy the spectacular sunsets over Cayuga Lake or swim or take things at your own pace. Of course there are people who want to work on their projects late into the evening, and we encourage that too!
Visit our Summer Institute webpage for full course descriptions and options
Week 1 – July 15-21, 2018
• Michael & Winifred Bixler (Bixler Letterfoundry)
Type Casting and Monotype Composition
• Peter Fraterdeus (Peter Fraterdeus)
West Meets East — Energy, Expression and “Emptiness” in Calligraphy
• Ron Gordon (Oliphant Press)
The Anatomy of Book Design
• Amos Kennedy (Kennedy Prints)
Letterpress Posters with Big Wood Type
• Scott McCarney (Scott McCarney VisualBooks)
Hybrid Textual/Visual Books
• Danielle Myers (Petrichor Paper)
Papermaking with Local Plants
Week 2 – July 22-28, 2018
• Aimee Lee (Aimee Lee)
Make Hanji: The World of Korean Papermaking
• Bruce Licher (Independent Project Press)
Philatelic Letterpress: The Art of The Hand-Crafted Stamp
• Steve Pittelkow
Marbling on Paper and Cloth
• Marnie Powers-Torrey (U Utah) & Amelia Hugill-Fontanel (RIT Cary Collection)
The Iron Hand Press & Finer Points of Impression
• Jenna Rodriguez (Jenna Rodriguez)
• Dan Rosenberg (Wells College – Dan Rosenberg)
Writing Beside the Press: A Poetry Workshop
On December 8, 1-3pm and Saturday Dec 9, 1-3pm—Stop by Morgan Hall on Wells Campus in beautiful Aurora-On-Cayuga, NY and print a letterpress Christmas or generic Seasonal Holiday card for Free. (Additional cards can be printed for only $1 a pop!) and/or shop at our pop-up shop for hand printed and blank books, letterpress greeting cards, limited edition posters, signed poetry broadsides, and even the new Wells College Press Coffee Mugs! All are welcome.
The Wells Book Arts Holiday Printing Workshop & Sale is part of the Christmas in Aurora event that runs throughout downtown Aurora on December 9, 2017. For more information on Christmas in Aurora, visit the Facebook Event Page
The latest publication from Wells College Press is a chapbook produced collaboratively by The Wells Book Arts Center and the Advanced Poetry Workshop of Professor Daniel Rosenberg. The official press release tells much of the story, but the introduction written collaboratively by Book Arts Center director Richard Kegler and Professor Rosenberg gives a two-voice narrative on how the book came to be:
This began as a class. We distilled it into a book. I wanted my Advanced Poetry Workshop to get their hands dirty with language, and print their own work. I was interested in how the act of typesetting affects composition. I was interested in that too! How writing a poem changes when you don’t have the endless convenience of digital media. How the process of typesetting is a time of reflection and editing. So we hatched a plot. An apple basket full of 19th century wood engravings had been donated to the Book Arts Center. The artists were unknown. The purpose was unknown. They seemed ripe for ekphrasis: creating new art, in language, in response to these image/objects. Each poet selected a block. Some reacted to the figures depicted, others to the blocks themselves. In either case, they had to respond with materiality, handling and assembling individual words. The book is completely collaborative. We conceived of it together, and the poets revised each other’s initial, digital drafts. Together, they decided on typefaces and a unified layout. They accepted the limitations of space and learned the fundamentals of letterpress composition. When it came time to pick a title for the collection, the group’s choice for the best cover stock delivered the answer: Mohawk 80lb Carnival Persian Blue Vellum. Each poet worked into several nights setting, revising, and printing their poems to meet the deadlines. One evening’s mantra: “Kill us, Dan.” But they didn’t have to print their work in two colors. This book is chaos contained in a unified form. Ultimately, what we present here is a single vision in multiple voices.
Richard Kegler and Dan Rosenberg
The origin of the wood engravings is still unknown, but the poems give them a new life.
This chapbook was created in the spring of 2017 using the
resources of the Wells Book Arts Center. The typefaces
used are Perpetua, designed by Eric Gill and cast at the
Bixler Letterfoundry in 2017, and Obelisk, designed
by Herman Ihlenberg and cast at the Johnson
Type Foundry circa 1881. The illustrations
were printed from wood engravings
from the Father Thomas
Of the 75 copies, this is No.__
Copies of the book can be ordered at the Wells College Press online shop
Wells College Press is very pleased to announce that the Winner of its 2017 Chapbook Contest is Annie Lighthart for her manuscript, Lantern. Her prize includes 20 copies of the letterpress-printed chapbook. She will also read at Wells College in Aurora, NY and receive a $500 honorarium plus room and board. In the tradition of the Wells College Press, her chapbook will be crafted obsessively, with hand-set title pages and hand-sewn bindings. It will be published in an edition of 150 signed and numbered copies.
This year’s finalists are:
Lyrebird Keeps the Peace by Kelli Allen
Creating a Chain Reacting by Declan Gould
The Hatchet and the Hammer by Caitlin Scarano
There were approximately 160 entries to this year’s competition, and, according to the judges, “There were a large number of excellent manuscripts, and the general level of the submissions was quite high.” Ultimately, Lantern stood out. One judge noted that these are “among the best poems I have read in a very long time. They’re quietly, consistently, always exactly right, and always moving.” Another judge described the poems as “surprising and vulnerable, but also wise.” We are thrilled to be publishing this outstanding collection of poems.
Annie Lighthart earned an MFA in Poetry from Vermont College of Fine Arts and has taught at Boston College, with Mountain Writers and Soapstone, as a poet in the schools, and with community groups of all ages. Iron String, Annie’s first book of poetry, was published by Airlie Press in 2013. Her poetry has been read by Garrison Keillor on The Writer’s Almanac, chosen by Naomi Shihab Nye for inclusion in the Poems for Patience project at Galway University Hospitals in Ireland, and nominated for a Pushcart Prize. Her poem “The Hundred Names of Love” was included in the Poems in the Waiting Room series in New Zealand and placed in 7000+ hospitals, hospices, nursing homes, medical offices, and prisons. Annie currently teaches poetry workshops with Portland’s Mountain Writers, Soapstone, and through Road Scholar programs. Her poems have been translated into Portuguese, Spanish, and Chinese and have traveled farther than she has.
Wells Book Arts Summer Institute is ready to roll in 2017 with 10 great courses to choose from. This year we have a solid line-up with a wide range of techniques to learn: from Stone Lithography and Lettercarving in Stone to Digital Type Design and Letterpress Fundamentals—there is something for every skill level in the book and lettering arts from some of the most renown practitioners in their fields. Staying on campus with meals and accommodations is a great way to immerse yourself in new skills and relax in the gorgeous Finger Lakes during the summer.
Week 1 — July 9–15
Michael & Winnie Bixler – Typecasting and Monotype Composition
Samuel Feinstein – Hand Tooling with Gold Leaf & Foil
Lorrie Frear – Italic Intensive for Beginning Calligraphers
Jesse Marsolais – Introduction to Lettercarving in Stone
Sara Sauers – Letterpress Fundamentals on the Vandercook
Week 2 — July 16–22
Nancy Sharon Collins – Book Arts Entrepreneurship
James Grieshaber – Digital Type Making with FontLab
Jennifer Scheuer – Stone Lithography
April Sheridan – The Technology of the Broadside
Barb Tetenbaum – Hybrid Structures for Hybrid Voices
Visit our Web info page for more details on the courses and the instructors.
Download the 2017 Summer Institute PDF